Best Video Camera Battle: Nikon Z6 III vs Sony a7S III vs Canon R6 II Review

Its time to dive into the "Best Video Camera Battle," comparing the Nikon Z6 III, Sony a7S III, and Canon R6 Mark II. Will there be a clear winner?

This review is brought to you by Tony and Chelsea Northrup and highlights key differences in video capabilities, making it clear that not all cameras are created equal. The Nikon Z6 III impresses with its 6K resolution at 60 fps, ideal for cropping while maintaining high quality, especially useful for wildlife videography. However, its autofocus struggles slightly in low light.

The Sony a7S III shines with smooth and natural autofocus transitions, superior dynamic range, and excellent low-light performance. Its 12 MP sensor, while lower in resolution, prevents overheating during extended 4K shooting. The Canon R6 Mark II offers strong autofocus accuracy but suffers from distracting focus shifts. As for the verdict on the Nikon Z6 III, you will have to watch to find out what they think of the newest Nikon camera on the market.

For those considering any of these cameras, lens availability is another crucial factor, with Sony offering the widest selection. Each camera has unique strengths, and the choice ultimately depends on specific needs, from dynamic range and low-light performance to autofocus capabilities. For a detailed breakdown side-by-side comparisons, and to see which camera came out on top, check out Tony & Chelsea Northrup’s full video review above.

Kim Simpson's picture

Kim Simpson is a photographer based in the West of Scotland. Her photographic practice is an exploration of the human experience, with a particular emphasis on themes of identity and belonging.

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2 Comments

I wish than Canon and Nikon would release a camera or cameras without video.
I really don't like spending extra thousands of dollars on something that I will never use and have absolutely no interest in using.

It's high time we went back to dedicated still cameras and dedicated video cameras so that neither are forcing us to pay extra thousands for something they we will never use be it still or video.
If the marriage of still and video ended in a divorce, each party could then excel at their specific medium because they are not making compromises to try to allow the two to work as a single entity.

More and more photographers and filmmakers are covering both, or crossing over in some way, so it makes economic sense for the big brands to cater to both in one. I understand though, I rarely shoot video, however I do like to have that option.