Articles written by Michelle VanTine

There was a recent meme that took a jab at photographers from the generation of the pen tool in Photoshop. It personified us as old ladies with walkers being escorted out by a younger generation with their AI tools. In the comments, someone remarked, “Let’s see how these young bucks would survive with the 1999 version of Photoshop.”

Have you ever flipped through an REI catalog with a twinge of despair, or gazed with more questions than answers at the DICK’s Sporting Goods billboard? Perhaps you’ve wondered who shot those jobs and how they got the contract? Standing in the camping section, you suddenly realize why the 20-year-old employee is looking at you oddly. You have been staring at the billboard for who knows how long in a state of perplexed despair. Articles that line your LinkedIn feed extol the value of “networking,” but who to network with and how to gain access to these gatekeepers didn't come attached. You want a shot, but you don’t seem to be able to get your hands on that opportunity. If that description hits home, and if you are a female, you want to read on about the Peak Design & The Roam Collective Photography Scholarship.

Have you been taking the same images with slight variations over the last few years? Have you seen new technologies shake up the photography world, yet largely kept your distance from them? Today, the esteemed Kristina Sherk from Shark Pixel shares with us one such tool that can revamp the work you've been putting out. Following her tutorial written for us below, I decided to try it out myself. I encourage you to break out of your comfort zone, give it a try, and share your photos with us in the comments.

Whether you've seen her speaking on stages for Adobe, or lining magazine articles such as Fast Company’s “100 Most Creative People in Business” you surely have come across the legend and creative photographer that is Julieanne Kost.

Color. Vivid green forests, melty brown chocolate, voluptuous red lips: color is the reason that compels so many of us to reach for our cameras. When I was approached about reviewing Datacolor's Spyder Checkr Photo, I was skeptical. Color is one of the most-often stated reasons clients approach me. Was this little device just another gimmick marketed to chroma junkies, or was it a tool that would fine tune my color-centric work? I gave it a try, and I’m here to share my findings with my fellow artists who love color as much as I do.

Have you ever bought a piece of gear that promised to revolutionize your work or be the exact tool you needed just to find that it was a total dud? We all have those pieces sitting at the bottom of our gear closet that irk us every time they come in view. Alternately, we also all have pieces that have become our indispensable go-to’s that we can’t image shooting without. I asked five photographers to share their best and worst purchases. These juicy gear confessions are sure to land some pieces on your blacklist and others in your B&H cart.

Have you ever cut out an object in Photoshop, put it on a new background, added a “drop shadow” effect, and sat in front of your monitor thinking, “This just looks so Photoshopped”? I’m here to help! Here are five easy steps to creating realistic drop shadows in Photoshop.

Have you fallen behind on keeping up with the tsunami of Photoshop updates and new capabilities? Or have you wanted to master this powerful tool, but you haven't been sure where to start? Well, put on your sweatpants, order in your favorite food, and thank your lucky stars, because next week, you can join Aaron Nace, Kristina Sherk, Ben Willmore and more live from your living room all week. And the best part? It's free. No, my editors did not miss this typo, it's true, and I'm here to tell you all about it.

Which image in the banner is a photograph, and which is computer generated? Can you even tell anymore? With the addition of computer generated imagery (CGI) and artificial intelligence, the process of creating images has provided commercial photographers more tools than ever. I sat down with award-winning food photographer Steve Hansen to discuss this topic and to delve into the question: "Is it enough to just be a photographer these days?"